片名:《德拉克的回归》
类型:剧情片
上映时间:1968
上映地区:其它
导演:爱德华·格莱纳
主演:拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela,Buckova,Jozef,Cierny,Pavel,Chrobak,米库拉斯·洛迪津斯凯,Ivan,Macho,Ján,Mildner,Andrej,Mojzis,Jan,Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan,Mach
集数: 更新至0集
语言:其它
阳光知行追剧网为您倾情提供德拉克的回归全集在线免费观看，德拉克的回归是一部精彩的剧情片，剧情片德拉克的回归由知名演员拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela,Buckova,Jozef,Cierny,Pavel,Chrobak,米库拉斯·洛迪津斯凯,Ivan,Macho,Ján,Mildner,Andrej,Mojzis,Jan,Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan,Mach实力演绎，呈现了德拉克的回归的精彩片段。德拉克的回归的导演爱德华·格莱纳更是将德拉克的回归的故事完美表达，让德拉克的回归的剧情丝丝入扣深入人心。德拉克的回归于1968年上映，德拉克的回归有其它语种，德拉克的回归上映就受到观众的喜爱，因此德拉克的回归的别名更是让人记忆深刻，德拉克的回归的评分达到7.0，所以德拉克的回归是一部优秀的电影作品。在线观看全集高清完整版德拉克的回归，就锁定阳光知行追剧网。
德拉克的回归的剧情讲述了：与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
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